Prewar gibson mastertone banjo dating

For an example of the Mastertone construction, look at the picture of the gold one above.The brown line between the gold tone ring and the resonator flange is the wooden rim. Banjo meant jazz and blues, was played with a "plectrum" (pick), and was a 4 string affair. It was in my lapre: Before WW II, dating back to the 1920s, banjo production was very high. Lest you think this meant bluegrass, remember this was 25 years before the term was coined. Of these, most are owned by top bluegrass pros today. These are generally considered to be the finest examples of 5 string banjos ever made, and some fetch upwards of 100,000 dollars.

This is it.) I owned a 1927 TB-3 archtop conversion, so I was accustomed to the feel of a pre-ww II Gibson, but to say that I was in any way prepared for this would be a lie.tags Modify this file to add javascript or css files for your page from customize/static folder Jinja2 (which is template engine) is not allowed to use here. From about 1962 on and especially since 1970 there have been a large number of oriental manufacture banjos made to answer the demand.On most banjos made by mere human hands, the sound can be loud, but not overwhelming.I was OK until I happened to hit a good solid 1st and 5th pinch. Im not talking about volume, although there was tons of it, but clarity precision, the sound of the most piercing bell ring you can imagine.There are about 6-8 levels of hardware and finish overall, ranging from a very plain wood pot (body) or cast aluminum pot to replicas of a pre WWII Gibson RB-Granada flathead Mastertone (the bluegrass holy grail largely because Earl Scruggs used one for decades, and there were only about 12-15 original 5 string ones built in 1931-34). Actually, all of the Gold Stars had the best hardware available, there are some extra supernal touches in the early Gold Star J. The quality also varied across the product lines; there were for instance some very entry level Arias and some better Arias at the same time, sort of like Chevrolets and Cadillac Limousines.The major step in quality is usually to the Gibson Mastertone pattern of construction (Masterclone), with a cast metal tone ring (brass/bronze, steel, aluminum and pot metal all have been encountered) sitting on a wooden rim under the drumhead.Going down in the picture, there is white drumhead, the gold tension hoop (with arches engraved between the hooks, and an engraved armrest over it on the right side of the picture), the white edge of the drumhead, the gold tone ring, the brown wood of the pot, the gold flange, the white binding on the resonator, the brown wood of the side of the resonator, white binding again, the maroon of the case lining, and the silver paint on the (fiberglass Leaf) case.There are a large number of links on my site where you can find pictures and information on banjo adjustment in general, and Gibsons in particular.However, practically any banjo can be adjusted to sound "pretty good", and be playable. The Gibson construction is common because Scruggs, Reno, et al played one, but there have been many other quality brands built in the USA in the past and today. I still have a few entry quality instruments, and they sound like me when I play them.Some of my other ones of course do sound a bit sweeter.....

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